Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1998/99 | The Irrefutable Truth About Demons | Dave Gibson, Glenn Standring | Feature film production investment | $1,850,000 | |
| 1998/99 | The Price of Milk | Fiona Copland, Harry Sinclair | Feature film production investment | $266,000 | |
| 1998/99 | The Waiting Room | Emma Aubin, Amanda Barnes, Ian Hughes | Short film production investment | $82,425 | |
| 1998/99 | Wedding a la Grecque | Liz Stevens, Athina Tsoulis | Script development | $15,000 | |
| 1998/99 | Wedding a la Grecque | Liz Stevens, Athina Tsoulis | Script development | $15,000 | |
| 1998/99 | Wild Blue | Grant Bradley, Dale Bradley | Feature film production investment | $15,000 | |
| 1997/98 | 9 Across | Matthew Metcalfe, Jesse Warn | Short film post production | $20,815 | |
| 1997/98 | A Fine Weekend | Margaret Slater, Armagan Ballantyne, Sean Fuller | Short film post production | $14,000 | |
| 1997/98 | A Funeral | Elly Toft, Dorthe Scheffmann | Short film production investment | $72,000 | |
| 1997/98 | A Long Undressing | Trevor Haysom, Michael Parmenter, Greg Stitt | Script development | $15,000 | |
| 1997/98 | A.B.C. | Grant Bradley, David Blyth, Richard Lymposs | Script development | $15,000 | |
| 1997/98 | Accidents | James Wallace, Paul Swadel, John Cranna, Matthew Horrocks | Short film production investment | $67,300 | |
| 1997/98 | An Untitled Love Story | Tony Hiles, Philippa Campbell, Donna Malane | Script development | $28,800 | |
| 1997/98 | Angel Wings | Richard Evans, Stephanie Bauer | Short film post production | $25,000 | |
| 1997/98 | Black Betty | John Gilbert, Mike Smith, Michael Bennett | Script development | $6,000 | |
| 1997/98 | Black Spot | David Reid, John Chrisstoffels, Mike Depree | Short film post production | $16,500 | |
| 1997/98 | Blinder | Paul Swadel, James Cunningham | Short film post production | $30,000 | |
| 1997/98 | Born to Run | Jimmy Costello | John Gilbert, Judith Trye, Mike Smith, Tim Balme | Script development | $15,000 |
| 1997/98 | Bow Down Shadrach | Peter Barker, Ian Mune | Script development | $89,900 | |
| 1997/98 | Channelling Baby | Caterina de Nave, Christine Parker | Feature film production investment | $1,800,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).