Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
Year | Title/Project | Alias | Funding Key People | Type | Amount |
---|---|---|---|---|---|
1998/99 | Hopeless | Larry Parr, Stephen Hickey, Sean Molloy | Feature film production investment | $300,000 | |
1998/99 | Hurtle | Margaret Slater, Shona McCullagh | Short film post production | $23,100 | |
1998/99 | In The Company Of Women | Riwia Brown | Script development | $7,500 | |
1998/99 | In The Dark | Norman Elder, Waka Attewell, Scott Cooksley | Script development | $10,000 | |
1998/99 | Jubilee | Bill Gavin, Michael Hurst, Michael Bennett | Feature film production investment | $1,800,000 | |
1998/99 | Letters About The Weather | Liz DiFiore, Peter Salmon, Reuben Pollock | Short film production investment | $85,097 | |
1998/99 | Life and Death with Trevor Truman | Judith Trye, Mike Smith, James Griffin | Script development | $3,500 | |
1998/99 | Little Samurai | Matthew Metcalfe, Jesse Warn | Short film production investment | $127,000 | |
1998/99 | Matariki | Exit 50, Dick | Michael Bennett, Chloe Smith | Script development | $6,000 |
1998/99 | Mes Mer | Morag Brownlie | Short film post production | $25,500 | |
1998/99 | Nightmare Productions Film Package | Lisa Chatfield, Robert Sarkies, Duncan Sarkies | Devolved development | $12,500 | |
1998/99 | Not Her Real Name | Cody and Some Other People | Robin Laing, Brita McVeigh | Script development | $14,800 |
1998/99 | Point Your Toes, Cushla! | Simon Marler, Bobbie McKay | Short film post production | $23,000 | |
1998/99 | Pop | Simon Marler, Gregory King | Short film post production | $17,150 | |
1998/99 | Savage Honeymoon | Steve Sachs, Mark Beesley | Script development | $45,000 | |
1998/99 | Savage Honeymoon | Steve Sachs, Mark Beesley | Feature film production investment | $15,000 | |
1998/99 | Shortcuts | William Grieve | Short film post production | $13,000 | |
1998/99 | Signs of Life | Jamie Selkirk, Ellory Elkayem, Mike Johnson | Script development | $15,000 | |
1998/99 | Still Life | Anna Rasmussen, Sima Urale | Short film production investment | $85,000 | |
1998/99 | Te Po Uriuri/The Enveloping Night | Norman Elder, Toby Mills | Short film production investment | $75,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).