Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
Year | Title/Project | Alias | Funding Key People | Type | Amount |
---|---|---|---|---|---|
2022/23 | Writer/Director Online Mentoring (On the Job Development) | Tim Hamilton with Matthew Saville | Industry support | $10,000 | |
2022/23 | Writers Room Mentorship (On the Job Development) | Marina McCartney with Vanessa Alexander | Industry support | $4,019 | |
2022/23 | Writing the Animated Pilot online course (Talent Development Grant) | Daisy Lawless | Industry support | $1,690 | |
2022/23 | Yalla Media - Boost Grant | Alex Lee | Devolved development | $75,000 | |
2021/22 | 48 Hours Film Competition | 48 Hours | Industry support | $100,000 | |
2021/22 | 50 Years of Pride | Nicola Smith, Ramon Te Wake | Script development | $20,000 | |
2021/22 | A Boy, The Elephant and the Long White Cloud | Julian Grimmond, Joseph J.U. Taylor | Script development | $25,000 | |
2021/22 | A Mild Touch of Cancer | Annie Goldson | Feature film finishing grant | $45,617 | |
2021/22 | A Mistake - (Te Puna Kairangi Premium Fund) | Matthew Metcalfe, Christine Jeffs | Feature film production investment | $2,290,000 | |
2021/22 | After The Party (conditional offer) | Helen Bowden, Jason Stephens, Jacqeline Perske, Kim Wilson, Robyn Malcolm, Liz DiFiore, Sophie Hyde, Peter Salmon | Series production investment | $3,884,904 | |
2021/22 | After the Party - Conditional Offer (Te Puna Kairangi Premium Fund) | Helen Bowden, Peter Salmon, Dianne Taylor | Series production investment | ||
2021/22 | Āio: The Last Paradise of Kiwa | Brandon Te Moananui, Jamie McCaskill, Te Awanui Reeder, Kazunobu Fusegi | Script development | $25,000 | |
2021/22 | Ajax (Ajax the Kea Dog) | Fergus Grady, Steph Matuku | Script development | $24,950 | |
2021/22 | Alibi: The Disappearance of Vinnie Cooper S2 - Ara ki Te Puna Kairangi Premium Development Fund | Plus6four Entertainment Ltd, Hannah Marshall, David de Lautour | Series development | $60,000 | |
2021/22 | Alien Weaponry: The Film | Nigel McCulloch, Kent Belcher, Ryan Hutchings | Feature film production investment | $588,185 | |
2021/22 | Always the Sun | Richard Fletcher, Gavin McGibbon | Script development | $20,000 | |
2021/22 | Aotearoa Screen Publicists Collective - COVID Recovery Funding | Aotearoa Screen Publicists Collective | Industry support | $15,000 | |
2021/22 | Apichatpong Weerasethakul Lab: Filming in the Amazon | Hiona Henare | Professional development | $5,000 | |
2021/22 | At The End Of The World | Ainsley Gardiner, Ghazaleh Golbakhsh | Script development | $10,000 | |
2021/22 | Attend ComicCon San Diego 2022 | James Cunningham | Professional development | $5,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).